krewechief's Live Music Blog

DEVOPhoenix Concert Theatre2009-11-23Q:Are We Not Men?A: We Are DEVO!

noreply@blogger.com (Krewe Chief) — Tue, 24 Nov 2009 13:39:00 +0000

25 years since these freakaloids have been in Toronto. This tour is pure nostalgia for the post-boomer generation. A two-trick pony, I opted to see only one. A short set, under an hour, all of the album in the title and 3 encore songs. Just the right amount.

Part novelty-act, part innovative-performers, DEVO's camp falls in the grey area of rock'n'roll...where all the interesting shit resides.

In the dark grey area was opening act, JP Incorporated, easily the sorriest excuse I've seen for an opening act in all my days...and I've had Ron Sexsmith hoisted on me three times!

Or maybe he wasn't.

Perhaps it was high-art. Some Rip Van Winkle/Dick Van Dyke morphed performer doing faux-TV show themes and commercials to a video montage on a giant screen. He dances like Elaine in Seinfeld. The cat-calls and boos got louder as the set progressed. His shameless pandering to the audience was imbued with more bravado after each song. I think we were supposed to boo him off stage and our failure to do so makes the joke on us.

Or maybe not.

DEVO sounded good even when they weren't playing the radio hits. Thankfully it wasn't as 'electronic' as I'd feared; there's a good deal of screaming guitars and pounding drums. Complete albums, in order, is the only way to see old-timers. A novel concept, being utilized by many bands these days from Springsteen to Sparks...which should pretty well circle us around the alphabet unless Spandau Ballet decides to do Diamond live. I'll be there for that one too.

01) Uncontrollable Urge
02) (I Can't Get No) Satisfaction
03) Praying Hands
04) Space Junk
05) Mongoloid
06) Jocko Homo
07) Too Much Paranoias
08) Gut Feeling
09) Slap Your Mammy
10) Come Back Jonee
11) Sloppy
12) Shrivel Up
13) Smart Patrol
14) Mr. DNA
15) Gates Of Steel

Evidently Billy BraggPhoenix in Toronto2009-11-17The Studio at Hamilton Place2009-11-18

noreply@blogger.com (Krewe Chief) — Thu, 19 Nov 2009 23:19:00 +0000

Billy Bragg back in the Southern Ontario area and this time I opted for two shows. I don't have much to say...you either get this guy or never will. Seeing him live is always life-affirming and a real bargain as you get terrific bang for your buck.

I try to see about 50 or 60 shows a year, if possible. Some nights I'm dragging my ass wondering why the fuck I bother. Then there are nights like these where I remember you can't get this stuff just anywhere.

Billy's had a great track record lately of inserting something in his show that I interpret as a personal treat. One year he brings CR Avery to open and the kid name-checks "Blind Boy Grunt" before doing a cover of Dylan's Things Have Changed. Another year he's booked into the Danforth Music Hall, my favourite city venue, I used to live around the corner from it back in the day and walked to many concerts; George Thorogood, Rockpile, Marianne Faithfull and Iggy Pop among them. Great memories.

This year he throws in a cover of John Cooper Clarke's Evidently Chicken Town sung to the tune of Bob Dylan's Desolation Row. Now the Dylan part's a no-brainer, but JCC...well that's another animal altogether. From this side of the pond you had a very narrow window of opportunity to be exposed to the witty Mancusian. (This was before the interweb.) I did find myself at one of his North American shows back in '81 when he played the Voodoo Lounge in Toronto. Best line of the night, as the fans called out for the radio versions of his manic musings, was JCC telling us... "If you want the fuckin' music, buy the fuckin' album!"

Billy Bragg
Phoenix Concert Theatre
Toronto ON
2009-11-17

Disc 1

T01 The World Turned Upside Down
T02 talk - "we know how to deal with those bastards, don't worry"
T03 Accident Waiting to Happen
T04 Cindy of A Thousand Lives
T05 The Warmest Room
T06 Mr Love and Justice
T07 A Lover Sings
Woody Guthrie Suite
T08 talk - Tumescence, Google It
T09 Ingrid Bergmann
T10 Way Over Yonder In A Minor Key
T11 Ain't Got No Home

T12 talk - oxymorons
T13 NPWA
T14 Sexuality
T15 talk - John Cooper Clarke/Bob Dylan
T16 Evidently Chicken Town (DesoRow) (JCClarke/Bob Dylan)
T17 Oh Freedom, What Liberties Are Taken In Thy Name
T18 Levi Stubbs' Tears
T19 The Saturday Boy

Disc 2
T01 All You Fascists Are Bound To Lose
T02 talk - fight cynicism
T03 I Keep Faith
T04 Power in a Union
T05 encore break/talk
T06 Milkman of Human Kindness
T07 The Busy Girl Buys Beauty
T08 Richard
T09 The Man In The Iron Mask
T10 To Have and Have Not
T11 Lovers Town Revisited
T12 A New England

Second night was a touch mellower, especially without the inclusion of the JCC tune, due mostly to being a 'sit down' venue, very proper and all that. Great talk about his 15 year old son. Not the soccer player dad had a hope to bring up, but Billy knows his kids job is not to be what his dad wants. He seems to want to be a musician, got figure.

10 different songs tonight...thank you much. I think the tunes we lost were stronger than the songs we got...with the possible exception of Old Clash Fan Fight Song, but not by much and the variety made it worth the trip.

Billy Bragg
The Studio at Hamilton Place
Hamilton ON
2009-11-18

Disc 1

T01 She's Got A New Spell *
T02 A Lover Sings
T03 Like Soldiers Do*
T04 Mr Love and Justice
T05 The Shortest Answer*
Woody Guthrie Suite
T06 talk - Guthrie talk
T07 I Woke Up In A Dry Bed*
T08 Way Over Yonder In A Minor Key
T09 Ain't Got No Home

T10 talk
T11 All You Fascists Are Bound To Lose
T12 talk
T13 NPWA
T14 Sexuality
T15 If You Ever Leave*
T16 God's Footballer*
T17 talk
T18 Oh Freedom, What Liberties Are Taken In Thy Name

Disc 2
T01 talk
T02 Milkman of Human Kindness
T03 talk
T04 Old Clash Fan Fight Song*
T05 talk
T06 I Keep Faith
T07 Power in a Union
T08 encore
T09 Tank Park Salute*
T10 Sing Their Souls Back Home*
T11 Jeane*
T12 A New England

Bob DylanKitchener Auditorium2009-11-07

noreply@blogger.com (Krewe Chief) — Sun, 08 Nov 2009 13:34:00 +0000

Saw Bob Dylan last night for the one hundreth and twenty-something time. I've been a little off the Bobster the past 5 years or so, not taking to his cowboy band. Things have changed. Charlie's back in the fold. That alone is worth a look-see.

I had low expectations and demands. Wanted to get the recently revived Gonna Change My Way of Thinking in the opening slot, followed by something strong like Shooting Star. As long as it wasn't Lay Lady Lay. Hoping for as many of the new songs just to knock them off my list but especially the wonderful Forgetful Heart. And Bob on guitar for a handful of songs. One more thing, not too many songs from the horrific Modern Times.

And what did I get?

None of the above.

Cat's opened and the dreaded Lay Lady Lay was Bob's ONLY guitar song. Had to wait for the well-entrenched Jolene in the encore to get a personal debut. 4 MT songs snuck in.

Strange thing though, I totally enjoyed the show. Perhaps that's what happens when you only see one a year. I suspect there is more to it though as this year's model is much more audience-friendly both in deportment and sound.

The changes in the show that make it the best I've seen since Freddy Koella left the band were obvious and subtle.

Charlie is a guitar god. He fills space and wastes no opportunity to inject himself into a song, something sorely lacking the past few years.

Chaplinesque Bob is back. At least he's out from behind the keyboards for a handful of tunes. Only once on the guitar tonight but the three 'stage front, harmonica' songs were terrific. Cold Irons Bound has to be seen to be believed. Ballad of A Thin Man gets a more theatric outing. Hollis Brown was riveting.

The upsinging is gone.

Bob's diction is in fall-mode, which is to say...playful and interesting.

A testament to how good this show was is that Lay Lady Lay was enjoyable and both LARS and Watchtower had me paying attention for the first time in a long time.

The inclusion of Million Miles and Every Grain of Sand (my wife's all-time favourite Dylan tune) didn't suck either.

As for the 4 MT songs I liked what Charlie does at the front of Thunder on the Mountain (muddiest song of the night). Spirit is better than getting Horizon. When The Deal Goes Down seemed a little sparse compared to what I remember from the '08 versions. Ain't Talkin', can't bitch.

The best part of the evening by far, and this is not to disparage the show, was seeing a large group of friends before and after Some from as far away as Italy and Vancouver, others who live closer by but we don't see nearly enough.

Kitchener, Ontario
Memorial Auditorium

November 7, 2009

Disc 1

1. Intro/Cat's In The Well
2. Lay, Lady, Lay (Bob on guitar)
3. Most Likely You Go Your Way (And I'll Go Mine)
4. Million Miles
5. The Lonesome Death Of Hattie Carroll
6. Cold Irons Bound (Bob center stage on harp)
7. Every Grain Of Sand
8. Spirit On The Water
9. Ballad Of Hollis Brown
(Bob center stage on harp)
10. When The Deal Goes Down

Disc 2
11. Highway 61 Revisited
12. Ain't Talkin'
13. Thunder On The Mountain
14. Ballad Of A Thin Man (Bob center stage on harp)
15. (encore)
16. Like A Rolling Stone
17. Band Intro
18. Jolene
19. All Along The Watchtower

Bob Dylan - guitar, keyboard, harp
Tony Garnier - bass
George Recile - drums
Stu Kimball - rhythm guitar
Charlie Sexton - lead guitar
Donnie Herron - violin, viola, electric mandolin, pedal steel, lap steel

Arctic Monkeysw/ The LikeKOOL HAUS2009-09-29

noreply@blogger.com (Krewe Chief) — Thu, 01 Oct 2009 16:47:00 +0000

After a long hiatus the Arctic Monkeys were back in town as part of a small North American Tour showcasing their new release, Humbug. What, no bah? Last time these guys were on my radar they were doing their pre-Glasto/Reading/Leeds interviews of 2007 telling us we gotta see this years model, Amy Winehouse. How many fucking lifetimes ago was that?!?

The Like opened. There's no end to the amount of silly review headlines, most already used as EP titles, I Like The Like, or What's Not To Like? or Like It Or Not, They're Here to Stay...I'll stick with the first.

Industry babies they are, the most recognizable offspring being Tennessee Thomas the daughter of Elvis Costello's drummer Pete Thomas, but don't let that fool you. They are an accomplished band for some young upstarts. Refreshing as hell to hear boy/girl rock songs from the distaff perspective.
They are playing in the boys home court too. No ephemeral diva stuff here, it's straight up rock.
Highlight of the evening was watching an animated Reni Lane tearing it up on keyboards in a skin-tight chiffon dress with a pretty-in-pink bow adorning her mop-top hairdo. Bassist Laena Geronimo, with her semi-bouffant (a pouffant?), provided a heavy bass line and melded beautifully with drummer Thomas' take-no-prisoners assault on the skins. Z Berg brought a little hint of the girl-next-door look to the leading vox and guitar.

Setlist and sound samples:
?I Don't Hate You, But I Don't Love You
Square One
He's Not A Boy
In the End
?Walk of Shame/?
Band Intro / Fair Game
?I'm Not The One For You
?Don't Make A Sound
??

The chilly chimps will be full-grown soon. The new songs are slower, darker and not lacking any bass. Signature vocals and guitar riffs are still evident throughout but there's less playing to the ADD crowd. It's not like they are sitting back in rocking chairs, plenty of machine-gun riffs and some more than decent drumming.

Very heavy on the new tunes...no less than 10, if you include various bonus tracks. We await the arena tour next spring/summer, the DVD and the B-sides.

Here's the setlist and some sound samples:

Dance Little Liar (Humbug)
Brianstorm (Favourite Worst Nightmare)
Crying Lightning (Humbug)
Potion Approaching (Humbug)
Pretty Visitors (Humbug)
This House is a Circus (Favourite Worst Nightmare)
Still Take You Home (Whatever People Say I Am, That's What I'm Not)
I Bet You Look Good on the Dancefloor (Whatever People Say I Am, That's What I'm Not)
If You Were There, Beware (Favourite Worst Nightmare)
Sketchead (Humbug, iTunes only)
Dangerous Animals (Humbug)
The View from the Afternoon (Whatever People Say I Am, That's What I'm Not)
Secret Door (Humbug)
Cornerstone (Humbug)
Do Me a Favour (Favourite Worst Nightmare)
Fluorescent Adolescent (Favourite Worst Nightmare)

Encore:
Red Right Hand (Nick Cave & The Bad Seeds cover) (Humbug,Japan only)
My Propeller (Humbug)
505 (Favourite Worst Nightmare)

Marianne Faithfull2009-09-24Town Hall, NYC

noreply@blogger.com (Krewe Chief) — Fri, 25 Sep 2009 23:22:00 +0000

A great few days in NYC, always good for the soul, if not the pocketbook. In town for a reprise of the Marianne Faithfull show we saw at the City Winery in the spring. She's touring a little more extensively this fall but wasn't going to reach Toronto.

Caught an off-Broadway show the first night, The Marvelous Wonderettes. Could have seen 39 Steps or Gods of Carnage but we're down here for a concert and we should stay on course. A great little time-waster, tons of 50's tunes and smiles all night long, great choice.

Next day we stopped in at the Rock N Roll Annex, to take a look at the Lennon exhibit that is curated by Yoko Ono. Nice movie to start the tour, some great shots of seminal rock performers in their youth. Besides the obvious we had a young Muddy Waters, Ray Charles and James Brown. Great shots of The Beatles and Stones. Their displays are NY centric...lots of material on local punk bands from the VU to the Talking Heads and everything in between.

The Lennon exhibit was nice. The bag of John's clothes is not as sad as it may seem when reading about the exhibit. It's sealed. Touching. There's a phone on the wall that Yoko calls in on, it has a sign telling you to answer if it rings, she'll be on the other end.

Caught up with my son and his girlfriend for lunch in Times Square. Total coincedence that we landed in the city at the same time. It's his first visit, so I wasn't going to take up too much of his day.

We're here for Marianne. It's a fitting wrap to the year. Marianne has an inspirational story about her battle with breast cancer. My wife was starting her treatment in the spring and just completed the most difficult part of a 6 month regimen a couple weeks ago. Her story is pretty inspirational too; this is our celebration.

Pretty well the same show we got in the spring as she's touring her recent Easy Come, Easy Go album. We get Morrissey's Dear God, Please Help Me and Tom Waits' Strange Weather in place of The Espers' Children of Stone and The Chieftains Love Is Teasing.

Many highlights; Sister Morphine was killer, it was Marianne's idea to add the snippet of Mack the Knife to the beginning of Randy Newman's In Germany Before the War. Her chat was, at once, self-deprecating as she makes no effort to minimize the tribulations of ageing and life-affirming as it was tough to miss the joy she feels in just being here, doing this, as unlikely as that might have seemed 45 years ago.

The band is superb and Marianne is a wonderful host. The audience shows a lot of love; she returns it in spades. A couple changes in the band as guitarist Doug Pettibone and multi-instrumentalist Rob DeBellis replace Ryan Scott and Lenny Pippets. We also get the added pleasure of Jenni Muldaur helping out on some backing vocals. Lots of New York artists in this band. Fitting and first class all the way.

Go buy the record, go see the tour.
Here's the set list and some sound samples.

Marianne Faithfull
Town Hall
New York City
2009-09-24

guitar Marc Ribot
guitar Doug Pettibone
bass musical director Greg Cohen
drums Joey Baron
keyboards & accordian Rob Burns
woodwinds Marty Allen
more winds/horns Rob DeBellis
violin Christina Courtin
cello Christopher Hoffman
b/vox Jenni Muldaur

Disc 1

Track 01 Times Square (M.Faithfull)
Track 02 Down From Dover (D.Parton)
Track 03 The Crane Wife 3 (Decemberists/C. Meloy)
Track 04 Solitude (D.Ellington)
Track 05 Hold On, Hold On(Neko Case)
Track 06 Easy Come, Easy Go (Bessie Smith/W. Jackson & E. Brown)
Track 07 Broken English (M. Faithfull)
Track 08 Mack the Knife/In Germany Before the War (R. Newman)
Track 09 Crazy Love(M.Faithfull/N Cave)
Track 10 Kimbie (J.C.Frank)
Track 11 Salvation (Black Rebel Motorcycle Club,Hayes, Turner & Jago)

Disc 2

Track 01 Ballad of Lucy Jordan (S. Silverstein)
Track 02 Band Intro
Track 03 Sister Morphine (Jagger/Faithfull)
Track 04 As Tears Go By (Jagger/Richards)
Track 05 Why'd Ya Do It? (H. Williams)
Track 06 Dear God, Please Help My (Morrissey)
Track 06 Sing Me Back Home (M.Haggard)
Track 07 audience/encore break/talk
Track 08 Strange Weather (Tom Waits)

Great review from an npr.org blog here with links to some youtube videos

The White StripesUnder Great White Northern LightsWorld PremiereElgin Theatre, Toronto ON

noreply@blogger.com (Krewe Chief) — Fri, 18 Sep 2009 17:57:00 +0000

We caught a break in 2007 when the Stripes were able to finish the Canadian Tour prior to Meg's bout with high anxiety. Even better, their tour was unique, they went places people not named Jewel normally don't go. And they brought some cameras.

As documentaries go, it's a great concert film.

As concert films go, it's got a great subject.

I don't know if it adds to the canon of either but it sure was a good time.

We were in line early outside the gorgeous Elgin Theatrer/Winter Garden building. First they let the VISA Gold/Platinum/Titanium and Manganese card holders in first, then the rabble were allowed to shuffle along.
The wait wasn't that bad. Got to play "I'll show you mine, if you show me yours" with a couple. They put up a good fight..."We saw the Stripes 4 times and each of the Raconteurs and Dead Weather once." Hmmm, impressive. I put it away with, "Lost count right now but I can tell you about the places from Glasgow to Virginia to ... (wait for it) Cleveland." (That'll mean more after you've seen the movie.)
Luck was on our side,we pulled up to the entrance at the same moment as Jack and got to yell and wave at him from a few feet away as he was trying to do the 'red carpet' thing.

Jack and Meg joined director Emmett Malloy onstage for a brief introduction to the film prior to the screening. Jack talked the most, thanking Canada. We're waiting for everyone to respond. Meg was silent.

So what about the film? Well, I don't know nothin' about birthin' no babies and probably less about film-making...BUT...

There was a certain esthetic beauty in the black-and-white segments, especially those shot outside in the barren northern wilderness.

Canada was made for the red and white segments.

Sometimes I wanted more music. Other times I wanted more talking. I always wanted more material and that must have been a huge challenge, deciding what didn't make it. In the end the film focuses heavily on the impromptu mini-shows done the afternoon of most major shows. It avoids the big arena shows in the populous cities on the southern portion of Canada; ie. Calgary, Winnipeg, Saskatoon, Toronto and Montreal. It was those territories that really got their interest.

The off-stage stuff was raw at times, catching Jack and Meg tired or bored. There's no effort to deify the principals, they are shown as people hard at work, not always floating on that wispy cloud of superstardom. You can see them stumble across the melting permafrost, looking dishevelled smoking a cigarette or chugging from a bottle of liqour in the backseat of a car. The band is met by the local mayors in each of the small towns and that leads to some awkward and delicious moments. Meg explaining to a trucker they are a 'two piece rock band that makes a lot of noise." The mayer of Yellowknife describing a fight to the death between a wounded muskox and another who sensed it's weakness. Jack turning to Meg saying: "That's what I'm going to do if you get shot. I'm going to put you down!" A piece with the village elders in Iqaluit starts of somewhere on the borderline of uncomfortable and excruciating but ends up with one of the sweetest moments of the film, Meg beaming, smiling, as an old woman dances a jig while Jack accompanies another elder who's playing lead on an accordion.

Much of the video-verite portions consist of Jack expanding on Megs quiet nature. Most of her audio is accompanied by sub-titles as she tends to whisper, or at least get caught speaking underneath Jack who seems never to stop talking. In one scene Jack tries to get Meg to admit that it's HER choice to be the quiet one, not him hogging the spotlight. It ends with this little quip: "Randy Newman said short people got no reason to live...he never met a quiet person."

Jack talks about the constrictions of playing inside the "White Stripes Box." All that stuff about 3. He addresses the strange path they've taken from 'Detroit indie-gods to Product'and how that puts pressure on your artistic development. The indie-fans were fickle, he says, leaving them in droves after the success of the early releases. "Once somebody else on the block liked you...they didn't like you anymore." "None of those people who filled the early shows came out to any after that." He talks about the press adulation that was always accompanied by a death-knell call of "how long can they keep it up?" In other pieces he responds to the critics who have labelled them a 'packaged' band, admitting the 'candy cane' stuff was absolutely an affectation but only the thin shell covering his vehicle for experimentation and expression: the live show. He acknowledges they are at once phony and real. It's the box.

The music was terrific, always is. While we don't get any extended concert scenes we get plenty of full songs, so it's not irritating. An early clip from one of the impromptu mini-sets gives us a great version of Black Jack Davy. We get a full version of Blind Willie McTells Lord, Send Me An Angel during the elders meet. Concert footage includes a fan favorites, met by applause inside the theatre, for Jolene and Meg's solo turn at Cold, Cold, Night. More applause for the wicked guitar solos in Death Letter and 7 Nation Army. A nice version of Doorbell with Jack on bass. Shorter shots of the shows on a city bus, a boat in the harbour and a small stage in a city sqaure. Near the end, a quick medley that tried to cover some of the hundred other great moments there was no time to show.

The film closes with a real tear-jerker of a scene.

A short Q&A after the showing led to a couple interesting moments. An astute audience member stands up to shock the director and producer by informing them they made an error over the opening credits. "I live in Nova Scotia but I was born in Newfoundland. At the beginning of your film your on screen text says the scene is in NS butit's really in Newfoundland. Are you going to fix that before it goes to general release?" Next question please.

And finally, as Emmett Malloy is brandishing the mic to explain how difficult it was to get the rights to include a snippet of Citizen Kane (which was overlayed with Jack's vocals borrowed from the film and placed into Union Forever), Jack comes running out for his Kanye moment, grabbing the mic saying: "I'm gonna let you finish, I'm gonna let you finish... but Orson Welles made the best movie ever..."

So we let Jack have the last word. He had most in between.

CBC News Thought It Was 'Stylish', great overview here

The Globe and Mail informs us there's going to be a DVD, live CD and coffee table book. What, no video game?

The Canadian Press has Jack talking about the uniqueness of Canadians

Critic Kevin Williamson bravely picks UGWNL for Best Picture.

CR Avery: Live at The Rivoli Feb. 24,2009YouTube videos

noreply@blogger.com (Krewe Chief) — Fri, 11 Sep 2009 14:11:00 +0000

The CR Avery DVD came out great. There are some samples up at MrMikelProductions' youtube page.

http://www.youtube.com/user/mrmikelproductions

CR Avery Gets SiriusHarbourfront Sirius StageToronto ON2009-09-06

noreply@blogger.com (Krewe Chief) — Mon, 07 Sep 2009 11:48:00 +0000

Bonus fall show from CR Avery, who I enjoyed the hell out of back in July (check the blog for samples and reviews). I know I should have stuck around for Irma Thomas but I've overbooked my little lady this month and we were well satiated after CR's set.

I have an affinity for Harbourfront. Not because it's comfortable; it's usually cold and windy. Not because it's accessible; the traffic down here is a bitch. Not because it's conducive to a good concert; too many people, here for disparate reasons. No, it's because Harbourfront won Trudeau an election...and man, I miss THAT guy.

We caught an International Iron Chef competition in the afternoon. This concert is part of a "Hot and Spicy Food Festival" that features Louisiana cuisine and culture. Appropriately Chef Ben Thibodeaux of New Orleans won the contest. The Rebirth Brass Band, also from the Crescent City, played an early evening set and the aforementioned Soul Queen of New Orleans, Irma Thomas, closed out the evening. Sandwiched in between was a myriad of food expositions. A sensory feast.

So what's a pale-skinned, hip-hop-beat-boxing-spoken-word artist doing here?
Well, providing contrast and context.
He's definitely a little "outside the box", as he said, but he's got the heart of New Orleans buried in his music. It can be heard in the improvisation, the transformation of familiar tunes and in that wailing harp, which never failed to get the audience on it's feet tonight. It can be seen in the sweat dripping out of every pore as he mines the piano keys for that mercurial tinkle that will send a chill down your spine at the end of a line. It can be felt if you let yourself ride the aural wave of the ballads that move from 'rolling river' smooth to 'shooting rapids' rough.

Now I'm gonna mention this again, in case you don't get around to the other reviews; calling CR Avery a 'hip-hop-beat-boxing-spoken-word artist' doesn't do him justice. First off, I think it scares people off. It sounds like 'niche' music...for the very few and the very young. It's a label that applies a too narrow definition. It's like saying water is wet. It may well be, but it's much more.

Unfortunately the music industry needs tags. You can't raise a lot of interest by describing yourself as a challenging and ever-changing entertainer. Last night, like every night I've seen this guy, there were people who didn't know what they were in for when the evening started who were lined up for cd's, autographs and a chat post-show. All of them amazed they liked it. The fact this guy's ticket hasn't been punched is a shame and an indictment of the current state of the industry. We should sue those motherfuckers for not finding the talent available and get extra money for having to endure the shit they hoist upon us.

Contrast and context, eh?

I love CR's opening songs 'cause they set the audience right back on their heels. It's usually a harp blow-out of a familiar tune with some challenging beat-box effects; Leadbelly's 'Sylvie' and Tom Waits' 'Big In Japan' usually do the trick. Tonight we get a cover of one of the premier blues artists of our generation, Bob Dylan.

WFT? Dylan a blues artist? Isn't he that hillbilly-folkie-religious-mumbling guy? Does anyone know if he's still alive? The answer to all is yes.

CR does to 'Maggies Farm' what Bob does to all his songs...he deconstructs it. Upon reassembly it's both hardly recognizable and faintly familiar. Each night the opening song gets the same result; it grabs your attention.

He follows with something more palatable. Taking a seat behind the piano he drops the volume and intensity, sucking the still head-shaking and gasping listeners in. Tinkle-tinkle-tonk on the keyboards, then a ballad. In the past it's been 'Things Have Changed' or 'Rain Falls' or 'Like A Train In the Snow'. Tonight we get a song that fits the theme, Lucinda Williams' 'Bus To Baton Rouge'. Lots of empty spaces in this song, it takes some nerve to leave them hanging, hoping they won't get spoiled by obnoxious drunks, but he's got everyone leaning forward, listening.

Up to the mic for a spoken word piece, an homage to Charles Bukowski, a showcase for his beat-boxing (he,he) skills, 'The Boxer Who Just Returned From London'. This poem has a tipping point and he nails it every time. "I found myself in a little room."

Now into the centre of his show, with the audience right where he wants them, he indulges himself for a couple songs. Two slow and low piano pieces wrapped around a bluesy romp. CR finds a space inside these songs that's not always accessible to the audience but you can tell it's a creative space as he forces the tempo to a crawl while trying to squeeze out that elusive chord.

First up is a Willie Nelson cover, Home Motel. Goin To Be Hungry Blues is downright raunchy. I'm not sure what CR's eating habits are but between the way he introduced Lemon Meringue Pie this summer ("This song is called 'Eating Pussy on a Hot August Night') and this tune, I'm guessing; vagitarian. Chainsmoking Blues closes out the moody portion of the show.

He's joined onstage by local bass-player Michael Liston for the remainder of the set that starts with a spoken word piece about a young Jimi Hendrix trying to get a Bob Dylan record played in a black club. A song about fusion and not closing your mind by shutting off your ears. Like I said, context.

Set closes with a lovely ballad, 'When I'm Gone' and CR's called back for an encore and true to his style, chooses not to make it easy as he ends with a key-tar and harp driven, 'Love Song', which is a litany of things you hate wrapped in an epileptic fit inducing syncopation.

Here are the songs and samples:

Track 01 Maggies Farm (B Dylan)
Track 02 Bus To Baton Rouge (L Williams)
Track 03 Boxer Who Just Returned From London
Track 04 ??Home Motel??
Track 05 ??Goin' To Bed Hungry
Track 06 Chainsmoking Blues
Track 07 ??Black Hippie
Track 08 talk
Track 09 When I'm Gone
encore
Track 10 Love Song

Wanda JacksonQueen of Rockabilly2009-09-05The Cadillac Lounge

noreply@blogger.com (Krewe Chief) — Sun, 06 Sep 2009 13:28:00 +0000

Nothing much to say about the lovely little lady from Oklahoma City...nothing that ain't been said before, anyway.

Here's a link to last years review. More of the same tonight.

December 2008 Show

Really raucous crowd. Perfect party mood for Wanda's show if a little disrespectful at the quiet times.

Set list
01 Mean, Mean, Man
02 Rock Me Baby
03 Hard Headed Woman
04 I Gotta Know
05 I Betcha My Heart
06 In the Middle of A Heartache
07 Elvis talk
08 Good Rockin' Tonight
09 Let's Play House
10 Heartbreak Hotel
11 Fujiyama Mama
12 Funnel of Love
13 Cell Block 9
14 Right or Wrong
15 Wanda's Witness> I Saw The Light
16 Band Intro >Sam Dedication
17 Let's Have A Party > Outro / 24 Whole Lotta Shakin' > Rip It Up > Let's Have A Party

Robert Gordon withChris Spedding (Roxy Music)Glen Matlock (Sex Pistols) andSlim Jim Phantom (Stray Cats)The Legendary Horseshoe Tavern

noreply@blogger.com (Krewe Chief) — Sat, 15 Aug 2009 20:36:00 +0000

For the last decade or so when Robert Gordon brought his show to Toronto is was at the Cadillac Lounge. For reasons I can't comprehend, this configuration chose to pass on that loyal and lovely venue. But, hey, it's an All-Star band so I guess a The Legendary Horseshoe bar is in order.

Great crowd tonight, very few obnoxious drunks though we had a handful of happy drunks. Got stuck with 'Sir Clap-A-Lot' close to me during Robert's set so I chose to move onto the floor somewhere around Look Who's Blue. Met a couple from Barrie who were in the middle of a marathon biking weekend which involved something that might have been the Harley Olympics in Kitchener and a 5 am road trip to Toronto. While they were a little tired waiting for doors I'm sure the action inside perked them up. Motorbikin' for sure. Met three rambunctious guys from Ottawa and environs who were seeing Robert for the first time in 22 years...and seemed pretty excited about it. They managed to find themselves on the rail and never did return to their seats.

Opening the night are local artists KC and the Moonshine Band. They were a treat as their swamp-rock, Elvis-cum-zombie-schtick, is engaging, entertaining and anything but boring. Tip of the hat to Ronnie Hawkins as the show opens with Who Do You Love? They pay homage to acts as disparate as The Cramps (GooGoo Muck) and Led Zeppelin (Rock N Roll). I will be adding them to my ticketmaster alerts.

This All-Star Band is a gift from Robert Gordon. I'd watch him sing his song list a capella. When he has a virtuoso guitarist like the late-great Link Wray or the still-with-us-and-beyond-belief Chris Spedding, well it's 'bonus fries' time. Tonight he's brought along a couple minor-icons in the rock echelon; Glen Matlock of Sex Pistols fame and Slim Jim Phantom who kept the beat for The Stray Cats.

Now I've seen a few magical shows in my time; The Rolling Stones with 90,000 other people at Rich Stadium in 1975; February 1979, The Clash at The Rex Theater on the Danforth; April 20, 1980 Dylan's magnificent religious show at Massey Hall; Springsteen's 4 + hour show in Detroit in 1980; sometime in the early '80's Iggy Pop did a 24 minute headlining set at the Danforth Music Hall and left the stage swearing at us, Wanda Jackson's 70th B'day show at the Caddy in 2007 and a few more. This one just vaulted into the top 10.

Robert does his magic, bringing songs that are inbedded in our rock-n-roll psyche to the stage. His voice is still terrific as he evokes the spirit of Elvis, Conway and Roy. He always delivers of Springsteen's Fire and never fails to thank Bruce for the song. Rock classics from The Way I Walk to Suspicion to Make Believe are brought alive.

He truly enjoys the fans enjoying the show and that's something you wouldn't see if you were spending $200 to sit in the back of an arena. The other members, from Matlock to Spedding to Phantom, were all-smiles, all-night.

Chris' set was cut a little short tonight to make room for the other illustrious guests. I can't say enough about this guy. I thought a show I saw back in '08 was the ultimate representation of his prowess as a lead guitarist in support. I was wrong. He was ripping it tonight and you could tell he was motivated by the prescence of Matlock and Phantom, each performer driving the other to find a magic moment. Chris delivered many, usually behind Robert's lead vocals. He never stops filling space and this show is great if the only thing you heard was his lead.

Matlock had the unfortunate luck to have a medical emergency in the middle of his performance of God Save The Queen. A young lady fainted. Don't know if it was because she was hearing this song from this artist or because it was a hundred and twenty degrees and the booze was flowing freely. In any case the band called out for help, left the stage for a few minutes and returned to complete the song when said fainting-girl was revived. A weird moment, but ain't that rock n roll?

Slim Jim dropped to massive bombs on the audience with his renditions of Riot in Brighton and Rock This Town. His stand-up drumming was a pleasure to watch all evening as he bounced around in front of and back of his kit.

Robert returns to close the evening with another 30 minutes of superb rock 'n roll. He closes the set with a very rare Make Believe, and though he says he hasn't played it in 15 years, I know he's pretending, because I heard it at the Caddy in '08. The inclusion of Black Slacks was a surprise. Have never heard it live though I've heard the same guy (and I think he was here tonight) yell out for it at every Gordon show for the past 5 years.

This show will go down as the best-bang-for-your-buck in '09. Pure magic for a mere $30.

Here's the set list and some mp3 samples.

Disc 1

Track 01 The Way I Walk
Track 02 C'mon Everybody
Track 03 I'm Gonna Be Your Lover Boy, Tonight
Track 04 Ubangi Stomp
Track 05 Suspicion (incl Chris' intro)
Track 06 Look Who's Blue (incl Glen's intro)
Track 07 Fire (incl Jim's intro)
Track 08 -talk - technical problems
Track 09 Lonely Weekends
Track 10 Wild Wild Women (w/ Chris on backing vox)

Chris Spedding's mini-set
Track 11 Guitar Jamboree
Track 12 Motorbikin'

Glen Matlock's mini-set
Track 13 Treat Her Right
Track 14 God Save the Queen (w/ edit for medical emergency)

Slim Jim Phantom's mini-set
Track 15 Rumble in Brixton
Track 16 Rock This Town

Disc 2

Track 01 Beside You
Track 02 Move It (and Groove It)
Track 03 Little Sister
Track 04 Twenty Flight Rock
Track 05 The Wanderer
Track 06 Wasting My Time
Track 07 I'm A Hot Rod
Track 08 Black Slacks
Track 09 Rockabilly Boogie
encore
Track 10 thanks - band intro
Track 11 Make Believe
Track 12 Robert Gordon's PSA

John PrineMassey HallToronto ON2009-08-14

noreply@blogger.com (Krewe Chief) — Sat, 15 Aug 2009 14:00:00 +0000

John Prine is one our best, most engaging, storytellers. While his story is often told it doesn't wear thin.

Thoroughly enjoyed his 2004 Convocation Hall concert, even though it was a year before I started taping...maybe BECAUSE. Massey Hall is another animal though, a premier venue, historic and elegant, though somewhat less than in her glory days. Downtown early for dinner we saw that outside the gates, the trucks were unloading, roadies sweating it out. The weather was hot, nearly 90 degrees...a good night for a kick-back and enjoy concert.

But tonight I'm hampered by a couple talkative, loud clapping, inappropriate singing, drunks. Which brings me to the biggest disappointment of this year's concert schedule...Massey Hall has a 'stadium license'... you can take your beer and liqour to your seats. Wish that was all that people did. If you come in packing two, grab another two at intermission, leave just before Sam Stone for another two...well, you just know there's gotta be a piss-break in there somewhere. Note to audience: The part of the song where the money goes into the hole in the arm is NOT cause for celebration.

Opening act Carrie Rodriguez brings some Brooklyn moxie to the stage with her solo set. Takes a bit of gumption to stand alone with a fiddle on the Massey Hall stage. The dress didn't hurt though. I was 50/50 on this artist. Loved her when she was raw and skanky...not so much when she slipped into diva-mode. She won the audience over and got a well-deserved encore.

Now you'll have to excuse the guy sitting to my right, his head was exploding and I was praying the pieces wouldn't fall on me. Seems a John Prine concert is akin to a religious experience with him. Not the Catholic kind where everyone's quietly nodding off in the pew but the Baptist kind where every call demands a response. There were so many things wrong with this guy, not the least of which he thought, for reasons unbeknowsnt to be, that I wanted to talk. It's not like I give off friendly vibes when I'm running tape. He also felt compelled to provide harmony on most songs, sometimes accompanied with ill-timed clapping.

Prine was in good humour and good form. The set list was a bracket of his career...heavy on the first record and heavy on the award winning 2005 release Fair and Square. The stuff in between didn't suck either.

Here's the set list and some sound samples:

John Prine
Massey Hall
Toronto ON
2009-08-14

Disc 1
1. Spanish Pipedream (Blow Up Your TV) (John Prine)
2. Crooked Piece of Time (Bruised Orange)
3. Your Flag Decal Won't Get You Into Heaven Anymore (John Prine)
4. Six O'Clock News (John Prine)
5. Souvenirs (Prine/Goodman) (Diamonds in the Rough)
6. Grandpa Was A Carpenter (Sweet Revenge)
7. Fish and Whistle (Bruised Orange)
8. Glory of True Love (Prine/Cook) (Fair and Square)
9. Taking A Walk (Prine/MacLauglin) (Fair and Square)
10. Angel from Montgomery (John Prine)
11. Long Monday (Prine/Sykes) (Fair and Square)
(moved away from the motherfuckers talking all through the show)
12. Donald and Lydia (John Prine)
13. Dear Abby (Sweet Revenge)
14. Let's Talk Dirty in Hawaiian (German Afternoons)

Disc 2
1. Sam Stone (John Prine)
2. Bear Creek Blues (A.P Carter) (Fair and Square)
3. That’s Alright By Me (Prine/MacLauglin) (Fair and Square)
4. She Is My Everything (Fair and Square)
5. Hello In There (John Prine)
6. Lake Marie (Lost Dogs and Mixed Blessings)
ENCORE:
7. In Spite of Ourselves (duet with Carrie Rodriguez) (In Spite of Ourselves)
8. Muhlenberg County (John Prine)

The RizdalesCancer BenefitCadillac LoungeAugust 9,2009 4 pm Matinee

noreply@blogger.com (Krewe Chief) — Mon, 10 Aug 2009 17:18:00 +0000

We saw The Rizdales back the wonderful Wanda Jackson last December.

Let me tell you it seems like a lifetime has passed in the interim.

Don't think I don't appreciate irony as we find ourselves heading back to the Cadillac Lounge for this benefit show. In December of '08 my wife was diagnosed with an aggressive form of breast cancer. She did a 5 month chemo regimen, followed by surgery in June and is currently nearing the middle of her radiation program. We have been fortunate as the team at Sunnybrook's Odette Center have had terrific success. Her sister, who will be with us for this matinee, was diagnosed in early '09 and is still in treatment. These ladies deserve a party. Also joining us, a third sister; she's the nervous looking one, she doesn't have breast cancer yet.

Great benefit in honour of George O'Connor, father of Tara Dunphy, lead singer and fiddlatrix of the band, who passed away two years ago. Tom Dunphy worked the MC mic all night encouraging the patrons to dig deep in support of the Canadian Cancer Society. By all accounts it was a successful evening.

Musically, it was lengthy. Show opened at 4 pm with a tight set from The Swinging Blackjacks. Next up was Mr Rick and the Biscuits, who did a different version of House of the Rising Sun but were most notable for the young man from New Orleans who was playing slap-style stand-up bass. Local rockabilly icons, The Royal Crowns, who also boast an excellent bass player, rounded out the show.

After a few quick "thank you's" and a raffle draw, we are through with the fund-raising and on to The Rizdales main set. Love the opener, Cash & Carter's Jackson, done with loving eyes and a sardonic smile. Also of note tonight...new songs; It's Not Me, It's You and My New Wife's Kids.

You can see these guys a couple times a month between the London and Toronto dates they do. And they do their share of matinees so you can make it part of a weekend stroll.

RIP Willy DeVille

noreply@blogger.com (Krewe Chief) — Fri, 07 Aug 2009 16:22:00 +0000

Message from a Friend:

"Willy DeVille died last night in NYC. Pancreatic cancer.
Hearbreaking news - and sadly, no american press or news site seems to give a damn:"

Google News Link

Paul James will remember.

Here's Paul covering Cadillac Walk and dedicating it to "Mr and Mrs DeVille" at The Cadillac Lounge (!) last April

Cadillac Walk by Paul James

Dead Weather vs CR AveryRound 3The Motown/Steeltown Showdown2009-07-24 & 2009-07-29

noreply@blogger.com (Krewe Chief) — Thu, 30 Jul 2009 16:16:00 +0000

Jack White in Detroit...something so right. Unfortunately the Tigers were playing a double-header at Comerica Park, across the street from The Fillmore, so we had to get in town early to find a parking spot.

Turned out it was no problem at all as we found a spot near a bar and the venue. We're accompanied tonight by two friends who we've shared many a Dylan show with. They cross-over too.

We catch a break at the door when we line up with the early entry Vault winners. A very kind usher, realizing we belong in the back of the long line that wraps the venue, also notes that it's a bit of a challenge for one of our party to be out and about at a rock concert and instructs us to just sit still and he'd get us in after the VIP's. I've been to the State, now the Fillmore, before. Each visit I'm amazed at the courteous service we get from the staff. It's a fan-friendly environment.

Dead Weather's set is the same. Only better. Every night they're getting tighter. Alison is exploding. She's found the sweet spot in most of her solo songs. Because the band has more confidence, Jack is stepping out a bit. We got a little impromptu talk from him this evening. While it made little sense, it was fun to hear: "Saw two guys in a park today. One of them said "Don't look at me bitch"... fifteen feet away the other guy said "Can you, yeah, but can you spell 'bitch'? My God!" He said "My God.... can you spell 'bitch'? The other guy said 'I AM GOD!'. "

Another 64 minutes. Tonight's top ticket price was $52.00 + fees.

The show can be broken down into three distinct segments: Her songs, His songs, Their songs.

Her songs:

60 ft Tall: Great opener, she throws down the gauntlet from the outset. Each show she tries to find a spot high on the monitors to deliver the first refrain.

Bone House: Not only can she take it, she can dish it as well. Stalker-rock from the distaff side.

Hang You From the Heavens: Maybe her best song. Must be seen to be properly experienced.

So Far From Your Weapon: Takes a little longer to build momentum and never explodes in the same manner as the other songs but it's a nice moody breather in mid-set.

No Hassle Night: This one's not working for me yet.

Forever My Queen: This is starting to grow on me but still not as accessible as her strong songs.

Treat Me Like Your Mother: Another wonderful stage performance, improving every night.

New Pony: She just slays this Dylan tune. Wish they'd add the extra verse and fill out some of those lines instead of truncating them but I do dig the refrain.

His Songs:

You Just Can't Win: The fans aren't quite getting this yet. The part at the beginning, when Fertita is noodling and Jack is posing, standing, at the drum kit, IS PART OF THE SONG....PAY ATTENTION. There's only a couple quiet parts in the show and both of them end with Jack being center stage. It's the foreplay beforet he sonic mind-fuck. Half the song is done at the mic, with no instrument, before he returns back to the kit for the explosive finish. Great spotlight on singer and song.

I Cut Like A Buffalo: I'm giving this one to Jack 'cause I don't think it's fair to blame Alison for it.

Their Songs:

Child of A Few Hours: Can you say 'weird'?

Rocking Horse: Getting better every night. Didn't take too much to this song at first but now I'm loving the interplay.

Will There Be Enough Water?: What can be said about the epic album tune? It's simple and simply over-the-top all at once. Must be seen to be appreciated, like lots of Jack's stuff. The image of the two singers, face to face, lip to lip, behind the lead vocal mic reminds me of those silhouettes we used to cut out in crafts. They are like twins. Jack's guitar blow-out is vintage Jack and crumbs for the audience all at the same time.

Here's the set list and a few mp3's.

Track 01 Intro
Track 02 60 ft Tall
Track 03 Bone House
Track 04 Hang You From The Heavens
Track 05 You Just Can't Win (Van Morrison)
Track 06 Band Intro/Bitch Talk
Track 07 So Far From Your Weapon
Track 08 I Cut Like A Buffalo
Track 09 Child of a Few Hours
Track 10 Rocking Horse
Track 11 No Hassle Night
Track 12 Will There Be Enough Water?
Track 13 audience/encore
Track 14 Forever My Queen
Track 15 Treat Me Like Your Mother
Track 16 New Pony (Bob Dylan)

Finally, the end of a gruelling 14 days with 8 concerts in 5 cities as CR Avery pulls me out of my stupor with a lengthy set at Hamilton's This Ain't Hollywood. Not as gruelling as it's been for this band of gypsies as they've criss-crossed Southern Ontario in search of festivals and stages the past few weeks.

Tonight there's no ticket at the door, I think the band is playing for drinks. The crowd is sparse early in the evening but by showtime we have a decent, if boisterous, gathering. This bar is in the process of changing it's identity...very early in that process, so not everyone here tonight was expecting live music. Sometimes the artist challenges the audience, sometimes it's the other way around.

We have a replacement for Serena Eades in the Legal Tender String Quartet, sister Laura Bates,if I heard right. This fusion of strings and hip-hop has been enjoyable. Meredeth Bates on lead violin has gained in confidence and her sound adds a unique quality to all the songs, from the moody swirls in The Ballad of Charlie Parker and Patsy Cline to the chops in Folk Singer and the swing in Bigger Fish To Fry. On bass and cello Evan Bates holds the beat, which isn't as easy as it sounds when you consider CR is wont to ramble and improvise. Drummer Matthew Rogers doubles as 'strings arranger' and his job was mostly completed before this collective hit the stage...what we are reaping are the rewards of his labour.

Was hoping for 2 sets tonight but the bar found a last-minute fill in for the opening slot. Gord Lewis, of Teenage Head fame, supported on guitar. Don't know if that's 'nuff said but that's all I'm going to say.

For the first time since September 2005 I'm not taping a show in stealth. Got a soundboard patch. Wish I didn't as the guy manning the board neglected to turn on my output until about 57 minutes into the show. No matter, I got to applaud, laugh, sing and get up to take a piss, instead of playing the human mic stand for two hours.

CR had to work this crowd. The beauty of his shows is that you don't really know what you're going to get. Tonight he came into the audience for 3 songs in an attempt to win the attention of the chatters. I've seen this work to perfection, where he mesmerizes the crowd and you can hear a pin drop beneath his unamplified vocals. You coulda heard one tonight but it would have had to have been a bowling pin, followed by 9 others crashing against the back wall. But for those in close we got a great rendition of Bigger Fish to Fry and Midnight Gold Mining. Earlier in the evening he came out to finish Parker/Cline. While CR is taper friendly, he's not taper easy. If he has to work, then everyone has to work for their stuff.

Don't have a complete set list tonight...due to the aformentioned technical difficulties, but here's a few samples of what did come out.

From the soundcheck

Hank William's Lost Highway

Town To Town

From the main set

Channeling Frustrated Energy

Midnight Gold Mining

Folk Singer (fast version)

Get off the couch and support your local artists!

And if you can't get off the couch roll over a little, pull out your wallet and buy CR Avery's Magic Hour Sailor songs at CD Baby

Dead Weather vs CR AveryRound 2The Tango in Toronto2009-07-22 & 2009-07-23

noreply@blogger.com (Krewe Chief) — Sun, 26 Jul 2009 17:14:00 +0000

CR definitely has the advantage this round as his show is in the comfy confines of The Rivoli while the Dead Weather are housed in what's become a more and more uncontrolled club environment at the KOOL HAUS. This place is like an asshole magnet...which is probably why I find myself here a half-dozen times a year when I've grown to not enjoy the venue.

The thing about the Dead Weather is...not much variance in the set list. If they were a real 'new band' we'd probably see them experimenting with songs and styles and taking some chances. Instead we have them here, virtual stage-virgins, pushing polished product. It's not like the Stripes where you know you're getting something different. In that way they are not as exciting to see again-and-again-and-again. There's a couple slots in the set list where there's a chance for some variety...the cover slots, but even those are rather static. Combined with their excessive promotions (I get about 5 emails a week from Third Man Records/Dead Weather/Raconteurs/White Stripes), it's this rather blatant commercialism that turns me off these 'experiments'. With the demise of the record companies you gotta find a new path...but does everything from access to music have to be for sale? I'm out here for one reason: Jack White is rock deity. Opportunities to witness him practising his art will be few and far between. Anytime you can catch him, you should.

On the other hand the band is getting progressively more comfortable with each other and this show was the most rollicking, rocking and sweaty of the few I've seen so far. The volume, as always, was set to 11. Alison prowls the stage, like a tigress on the hunt, perched on monitors or stage wings, doing her petulant "no smoking rules don't apply to me 'cause I'm cool" schtick. Jack's two forays to front-stage are becoming more choreographed as he stands from his kit and meanders slowly, teasingly, towards the mic. His guitar spot on "Will There Be Enough Water?" was through the roof as the audience response seemed to elicit a more energetic solo.

Unfortunately the songs remain the same so I find myself looking forward to Hang You From the Heavens, Jack's vocals on You Just Can't Win, the duet and Jack's guitar on Will There Be Enough Water? and the final song, a cover of Dylan's New Pony. They are worth the price of admission on their own.

Here's the set list and a few mp3 samples:

Track 01 Intro
Track 02 60 ft Tall
Track 03 Bone House
Track 04 Hang You From The Heavens
Track 05 You Can't Win (Van Morrison)
Track 06 So Far From Your Weapon
Track 07 I Cut Like A Buffalo
Track 08 Child of a Few Hours
Track 09 Rocking Horse
Track 10 No Hassle Night

Track 11 Will There Be Enough Water?
Track 12 audience/encore
Track 13 Forever My Queen
Track 14 Treat Me Like Your Mother
Track 15 New Pony (Bob Dylan)

At the CR show we have the added pleasure of promoting my son's DVD capture of his February set at The Rivoli. You can check out some video samples at his youtube page

No Sojourners tonight but we have the CR Avery Band and the strings are still with us.

The trouble with CR Avery's press/bio clippings is that everyone calls him a 'hip-hop' or 'beat-box' artist. Not that there's anything wrong with that! Except it's like saying water is wet. It barely begins to describe the properties. Water is also calm, turgid, hot, cold, and rushing. It's also ice and steam. CR is soulful, melodic, bluesy, pop-punk and a kick-ass rocker. He can change his properties as easily.

He's an unconscious wordsmith. I've seen my share of songwriters over the years but not many as nimble of lip and mind as this guy.

He's a sponge, reminiscent of a pasty faced kid who left the midwest for the bright lights of NYC in 1961. He transtextualizes with the best of them. If you think that's cheating, try it.

At the Rivoli he has his friends from Vancouver, The Legal String Quartet and Noah Walker on guitar. This show was promoted locally by The Undesireables, who usually hold court at The Cameron House. You'll be hearing about them in the next month or so.

CR laid them to waist tonight. Massive set...1 hour and 50 minutes of pure joy. A handful of new songs for me Midight Gold Mining, Dear Colonel, Lemon Meringue Pie, Channeling Frustrated Energy and Work To Be Done) plus two radically different version of familiar songs (a subdued (?) Motel: 50 Miles Out of Town and a sped up version of Folk Singer).

I can't even begin to break down the subtle variances in his rap, or the dramatic changes in the songs because I actually have a day-job and it would take a good 10 hours to point out the changes we get night-to-night. Suffice it to say you gotta see this guy.

And if you're thinking: Who the fuck is CR Avery? Well, just lift up your head and look...his name is written in the stars. Check out The Ballad of Charlie Parker and Patsy Cline. If that don't do the trick, you're free to leave.

Here's the set list and a few samples:

Track 01 Intro
Track 02 ??Big In Japan
Track 03 Rain Falls On Eternity
Track 04 talk
Track 05 ??Push the Envelope (Dear Colonel)
Track 06 Songs From The Underground/Trudeau Rap
Track 07 The Ballad of Charlie Parker and Patsy Cline
Track 08 Door By The River
Track 09 talk
Track 10 Boxer Who Just Returned From London
Track 11 Lemon Meringue Pie
Track 12 talk
Track 13 Motel: 50 Miles Out of Town
Track 14 ??Lover's Tattoo

Disc 2

Track 01 Midnight Gold Mining
Track 02 talk
Track 03 Channeling Frustrated Energy
Track 04 encore break/talk
Track 05 ??Work to Be Done
**Track 06 ??
Track 07 Folk Singer

filler aud. soundcheck

Track 08 ??Push the Envelope (Dear Colonel)
Track 09 Folk Singer

CR Avery vs Dead WeatherRound 1Perth FolkFest/Ottawa BluesFest2009-07-18 & 2009-07-19

noreply@blogger.com (Krewe Chief) — Mon, 20 Jul 2009 17:05:00 +0000

On the surface it may look like a mismatch but on any given weekend anyone can win.

Helping his cause CR Avery has Legal Tender String Quartet & The Sojourners backing him up so it's not just him and his piano against Jack White's screaming banshee band. They are both playing the Bluesfest (19th) except the schedule has them opposite each other. Much as I love CR, I'm hoping to see Jack more often than I've seen Dylan and I'm lagging about a hundred shows behind at the moment.

This should be a fair opening round, both artists are on outside stages, competing against the 'festival' atmosphere and the natural surroundings. CR has the advantage of a nighttime set opening for Melanie Doane at the Perth Restaurant in the evening.

Which is why we find ourselves in the lovely town of Perth, ON., at a free concert in Stewart Park. We were on the road early out of Toronto to make CR's 12 NOON set time. Unfortunately we have a little rain. Truth be told it's much preferable to blazing sunshine. Nobody ever stroked out 'cause of too much rain. Umbrella's and folding chairs are in order.

The Sojourners and CR Avery were first paired up on CBC Radio's "The Fuse". That radio show brought together Canadian artists from disparate genres to see what would ensue. That is such a great idea that the show has been canned, effective September of this year. Leave it to the corporations to fuck up a good thing. You can catch an audio replay of their collaboration HERE.

CR's afternoon and evening set were pretty much the same, the biggest difference coming in the improvisational verses thrown in to make this show a little more Perth-cific. oh, and it didn't rain inside the restuarant.

Disc 1

Track 01 Clean Up (Canton Spirtuals)
Track 02 Rain Falls
Track 03 Children, Go Where I Send Thee (trad. Jean Ritchie)
Track 04 The Ballad of Charlie Parker & Patsy Cline
Track 05 ?Ain't No Use Nobody Try To Turn Me Around
Track 06 Motel: 50 Miles Out of Town
Track 07 talk
Track 08 People Get Ready (Curtis Mayfield)
Track 09 Eating Pussy on A Hot August Night
Track 10 Farther Along

Disc 2

Track 01 Hymns from the Underground
Track 02 Little Wing (Jimi Hendrix)
Track 03 Door By the River

First saw the Dead Weather at their impromptu Horseshoe gig last month. It was, ummm, dense. Today we start in the light. The release this week of the album is going to help me recognize the songs much easier...maybe even like more of them.

They are further aided by some much improved sound. Without the low ceiling and narrow space of the Horseshoe the mix was superior, almost excellent.

Pretty well the same set list. I'm not expecting a lot of variety on this tour. We did get an 'extra' Jack song when he stepped forward to cover Van Morrison's You Can't Win, and a song or two I couldn't identify.

I could watch that duet on Water in a loop, coupled with New Pony, great stuff.

Track 01 Intro
Track 02 60 ft Tall
Track 03 Bone House
Track 04 Hang You From The Heavens
Track 05 So Far From Your Weapon
Track 06 You Can't Win (Van Morrison)
Track 07 I Cut Like A Buffalo
Track 08 ??They Like To Watch Fire
Track 09 Rocking Horse
Track 10 No Hassle Night
Track 11 Will There Be Enough Water?
Track 12 audience/encore
Track 13 ??
Track 14 Treat Me Like Your Mother
Track 15 New Pony (Bob Dylan)

As for the versus part of this blog...who the f*ck am I to judge these artists? I'm grateful I'm going to see them 3 times each in the next couple weeks. But for your consideration here's a couple songs from the weekend.

I've got two versions, each distinct, of CR Avery's Motel: 50 Miles Out of Town.

No need to be shy, we're going to pit that against Jack's monster song, Will There Be Enough Water.

You choose.

If you're smart, you'll choose both.

Motel...afternoon version

Motel...evening version

Will There Be Enough Water?

Green DayCopps ColiseumHamilton ON2009-07-16

noreply@blogger.com (Krewe Chief) — Fri, 17 Jul 2009 16:50:00 +0000

"do you have the time
to listen to me whine
about nothing and everything
all at once?"

Much like The Offspring, I first saw Green Day in the company of my pre-teen son back in '95. That show was at the cozy Phoenix Concert Theatre in Toronto (back when they played shows with the original three-man contingent). This one's a little less intimate and not so close to home. For reasons unknown they've passed on the big city this time through Canada. Been awhile since they've been about too but they've never dissappointed.

Bad news heading out of Toronto (usually an hour away from Hamilton), as the 403 going in the other direction was completely shut down since 2 pm for an accident with loss of life. Ironically this didn't affect our drive until we were about 200 yards from our highway exit...where we sat, for 20 minutes, without moving forward.

WTF?

Taking a chance I opt to enter the city from another highway exit a couple kilometers further along. This is a risk because I have no maps and Hamilton is an upside-down-one-way-street-mofo to get around in. Happens that accident forced all westbound traffic into the city...all day long. By 7 pm it was one massive grid-lock. We finally make our way to the general vicinity of the arena where I make my next error. I don't park on King St, but on Bay St. This will add 45 minutes to my egress at the end of the show.

The Bravery in the opening slot, was a bonus. Too bad we missed about a third of their set as we had to meander through a 30 minute line up to gain entrance with the 'forced will call' policy in place.

With Green Day having been away so long they had ample time to build a show...and that they did. Big screen videos, pyrotechnics and too many opportunities for audience participation. Nobody just does a concert anymore.

The set comes in at a staggering 2 hours and 15 minutes, long by any account. Back in the day this band would have played around 60 songs in that time period. 'Course, I also remember when Green Day was a 3-man outfit. Tonight we get 23 songs or so, depending on how you count the intro and the medley. About a half hour of that time was filled with Billy Joe exhorting the audience to chant in variance cadences...mostly the old fall back "Aaaaa, Ooooo". Twenty-five call outs to "Hamilton" and "Canada" filled another half dozen minutes. Three trips to the stage for kids under 10 to participate in various ways with the show took up 17 minutes. "Guest" singers filled about 3 and a half minutes. Don't forget the t-shirt toss. When you boil it all down you're still left with an awesome 70 minute set.

There were highlights, low lights, and things in between.

The definite low was the aforementioned incessant chant mongering.

The encore was a distinct highlight as it was delivered with little unneccesary interuption. The kid pulled out of the audience to play lead guitar on Jesus of Suburbia was great. Had me smiling as I watched him cavort around the stage trying to interact with Mike on bass. He was having nothing of it. I mean as big as you are when you're Green Day, it's gotta be weird to see a kid from Sect 5 Row B Seat 12 play your songs as good as you could.

The medley was terrific too. Billy Joe started out doing his best imitation of Carla from Cheers with the opening segment of Shout, which was explosive. The band then laid on the stage for the middle section of ballads/slow songs before springing back to life for the reprise of Shout. Great use of the horns which were around for a couple of songs from the new record.

In between was Longview, sung by two tone-deaf kids out of the audience. On the upside there's no mistaking what a great experience this must have been, to be belting out this song with Green Day backing you. Both the young girl and boy who took part relished the chance and played it to the hilt. Sent goosebumps up my arm. Technically, though, they murdered the song, sent a chill down my spine. Even-Steven.

This tour is really the 21st Century Breakdown Opus with a light smattering of thematically related songs from American Idiot. The other hits were rather random, or expected, and the band really didn't pay them as much heed as I'd have liked.

I spent half the night thinking, "I don't get it, what is this shit?" Each time the chants threatened to get repetitive or the special guests made the show drag. In the end it wasn't shit...I just didn't get it, at first. This is a band of modest talent and big heart. As Billy Joe said during one of his rants, it's NOW that we have to enjoy, so get off your ass, put down your computer, your cell phones or your ritalin and find your groove. He seemed pleased to see the kids sharing the spotlight and really sees his job as head cheerleader for anyone who wants to let loose. That might be incongruous with the epic (for Green Day anything over 4 minutes is epic), political songs they're flogging and maybe it's that dichotomy that made this show strange.

Here's the set list and a few mp3 samples.

Song of the Century
21st Century Breakdown
Know Your Enemy
East Jesus Nowhere
Holiday
The Static Age
Before the Lobotomy
Are We the Waiting
St. Jimmy
Boulevard Of Broken Dreams
Hitchin' A Ride
Brain Stew
Jaded
Longview
Basket Case
She
King For A Day
Shout/Earth Angel, I'll Be There, and Stand By Me snippets (The Isley Brothers cover)
21 Guns
American Eulogy

Encore:

American Idiot
Jesus Of Suburbia (Sam from Toronto on lead guitar)
Minority
Good Riddance (Time Of Your Life)

The OffspringMolson AmphitheatreToronto ON2009-07-02Shit Is Fucked Up Tour

noreply@blogger.com (Krewe Chief) — Fri, 03 Jul 2009 16:38:00 +0000

It's been awhile since I've seen these guys...they seem shy about playing North American dates; first time through here since 2005. Perhaps that retro-stuff goes over better on the Continent. First time I saw The Offspring I was sitting on the rail at the KOOL HAUS with my pre-teen kids. It hasn't gotten better than that... 'course it hasn't gotten much different either.

We have the distinct pleasure of having Pennywise open the show, their only appearance on the tour. We won't be lacking any Orange County feel tonight.

They better bring it though, they are playing in a cavern, not the Cavern Club.

Caught a break during the day as it rained almost non-stop. Ontario Place is open now and if it's sunny and warm parking can be a problem. I'm late getting out of a downtown meeting, had to rush home to feed the family (or at least arrange for them to be fed), then rush back down to the lakefront for what promises to be a night of power-pop-punk that should release all the pent up frustrations.

Luckily I wasn't looking at my ticket of the 6:30 pm doors would have had me even more concerned as I left home at quarter past the hour. We end up inside the venue at 7...just in time to miss Frank Turner's opening song. This was a pleasant surprise. Very much in the Billy Bragg mold with a young man's anger still present.

It's a band like Pennywise that makes a band like The Offspring necessary...and possible. That's no diss. They embody the spirit and soul of Second Wave punk movement that spawned rock-gods Green Day and the Princes' of Power Punk, The Offspring. They are not as accessible as those bands and it appears they have no desire to change that. As noted from the stage: "We've been a thorn in their (Offspring's) side for 20 years." That alludes to the grief The Offspring used to take in the press about being punk-lite. That's a press thing though. Dexter was Fan #1 sitting along side-stage for the complete set.

Nothing lite about the Pennywise set as they joked going into their 3rd song; "Here's another slow one for you."

Lots of jawing with the audience. They wouldn't start their set until everyone in the Amphitheatre stood. The instant mosh-pit set the tone for the evening...it was gonna be raucous. We got a couple covers via the "t-shirt" request method...a Misfits shirt was spotted...don't know why we got the Beastie Boys cover but it was cool.

Sample Track: You've Got To Fight For Your Right To Party/Pennywise

The sun goes down and Dexter is finally touring his 2008, prescient record, Rise and Fall, Rage and Grace.

If only those guys at the Fed were listening to Stuff Is Messed Up last summer...when there might have still been time to avoid the panic. Ya, right, as they say.

We get a generous helping of tunes from Americana, Ixnay and three from Smash so the old-goat's happy with the set list. The new record, first in five years, is more to the familiar formula we all came to love.

With this band it's not about the flash, though their backing screen was filled with images most of the evening and the lights were intense. They are definitely a case where the whole is greater than the sum of the parts. Even with the serious subjects they tackle they remain a 'feel-good' band...there's just something about the way they do it that makes you want to smile.

Here are some samples and the set list.

The Offspring
Molson Amphitheatre
Toronto ON
2009-07-02

Track 01 Stuff Is Messed Up (Rise and Fall, Rage and Grace)
Track 02 Bad Habit (Smash)
Track 03 You're Gonna Go Far Kid (Rise and Fall, Rage and Grace)
Track 04 Come Out And Play (Smash)
Track 05 The Meaning of Life (Ixnay on the Hombre)
Track 06 Have You Ever (Americana)
Track 07 Staring At The Sun (Americana)
Track 08 Dexter's Amazing Piano Solo
Track 09 Gone Away (Ixnay on the Hombre)(Dexter on piano)
Track 10 Kristy, Are You Doing OK? (Rise and Fall, Rage and Grace)

Track 10a Gotta Get Away
Track 11 Half-Truism (Rise and Fall, Rage and Grace)
Track 12 Get A Job (Americana)
Track 13 Intermission (Ixnay on the Hombre)
Track 14 Americana (Americana)
Track 15 All I Want (Ixnay on the Hombre)
Track 16 Noodle's Talks Beavers
Track 17 Pretty Fly (For A White Guy) (Americana)
Track 18 (Can't Get My) Head Around You (Splinter)
Track 19 The Kids Aren't All Right (Americana)
Track 20 (encore break)
Track 21 Hammerhead (Rise and Fall, Rage and Grace)
Track 22 Want You Bad (Conspiracy of One)
Track 23 Self Esteem (Smash)

The Hank and Lily Show NXPO Stage (NXNE)2009-06-19

noreply@blogger.com (Krewe Chief) — Fri, 19 Jun 2009 23:51:00 +0000

Just missed seeing Hank and Lily when their start time at the Silver Dollar was moved from 8 pm to 10 pm last week. What can I say? It was a week night and I'm getting old. Today, however, I had the good fortune of having a few free hours in the middle of the day when they were playing a free showcase at the NXNE headquarters in the Hyatt Regency.

Cozy little set up, about 30 chairs in front of a small stage. It's crowded as Hank and Lily have a big band today with an added bass player and three wigged (and wigged out) backup singers. Add a couple clowns and a dancing girl...well, it's easy to see the circus is in town.

Short set, under 40 minutes. Most tracks come from their North America project. Always great to see Lily with the saw, the show opens with the wonderfully spooky, Don't Be Afraid. We get the twins, We Can Take You Apart and the ode to Toronto, We Can Build You. Long Black Snake Moan is a muddy trip into voodoo territory. The show closes with a nicely rounded out, courtesy of the back up singers, Someone Out There For You.

Here's the full set list and some mp3 samples.

Track 01 Intro
Track 02 Don't Be Afraid
Track 03 We Can Take You Apart
Track 04 We Can Build You
Track 05 North America
Track 06 Xanadu
Track 07 Long Black Snake Moan
Track 08 A-P-O-C-A-L-Y-P-S-E
Track 09 Someone Out There For You

Dead WeatherThe Legendary Horseshoe Tavern2009-06-13

noreply@blogger.com (Krewe Chief) — Sun, 14 Jun 2009 15:24:00 +0000

Having already booked 3 Dead Weather shows for July I was happy to receive an email from silverjetz notifying me there was a surprise show at the 'Shoe. And it fell on a night off.

'Course they're not making it easy on us. I'm in line outside the Horseshoe at 8:00 am. Except for the guy sleeping on the bench, and I think he's not here for the show, I'm alone. Hard to gauge the hype around this band. These small-venue warmup shows are being announced a day in advance, but they are no great secret if you turn on an electric appliance with a receiver or log onto the web. Driving into downtown Toronto, along Richmond St, I'm horrified to see thousands of kids in queue along the curbs. Good news is they are there for the Much Music Video Awards and the Jonas Brothers. A couple blocks away there is no one waiting on Jack White.

Proof, if you needed it, that this world is fucked up beyond comprehension.

The line starts to fill in but by 1 pm, when the wristbands are handed out, it still looks like everyone who showed up is going to get in. The excruciating part in lining up with those wristbands, waiting for the lottery that determines who gets in first, and hoping the confusion that ensues doesn't affect you're getting in. I've got wristband #1. The only thing that guarantees is I'm unlikely to be first in. The random lottery started at #230 up to the capacity of 460. Ironically, though these people got to pay ahead of us the venue was not open, only the bar. Many had to back out of the club and wait for actual doors...thereby rejoining the line up outside. When our number was called we waltzed in at the exact moment they opened access to the venue and I found myself where I'd hoped to end up...20 feet from the right stacks.

Just prior to joining that line I was out back watching the tour buses with a handful of fans. Didn't seem like nothing was happening so I made my way through the alley towards the front when I was cut-off by a white panel van. Out piles Allison, followed by Little Jack and then the frizzy-headed Jack White stumbles out. He makes a slight detour to shake hands, chat inanities and take a picture with a cutie who'd been waiting about. It took 20 seconds but he was smiling and friendly.
LittleWhiteGhost from the fansite "The Little Room" got a good 15 seconds of that sunshine.

Opener tonight is Hollorado, hand-picked from myspace auditions by Jack his'elf. They did well. High energy. A few of the songs were very promising.

Back behind the drums, for the first time since his stint in Goober and the Peas, is Jack White. Weird don't begin to describe that. He's brought along a couple friends from his Raconteur days; Jack Lawrence on bass and Dean Fertita, tour keyboardist, is taking the lead guitar role. Manning the mic, she-devil from The Kills, the sultry and slightly bitchy, Alison Mosshart.

I haven't listened to a single tune, figuring I'd get a handful of opportunities to check out Jack's new project live. They are not nearly as instantly accessible as The Raconteurs. The whole sonic feel is one of a muddy-slightly-distorted booze joint on the banks of the lower Mississippi. It's not an accident. The mics and pickups are set to reverb. The volume is set to 11. It made for a dicey night inside the 'Shoe as we were blasted with feedback about 4 times through the evening. Three times I'm sure it wasn't planned. Not so sure about what Dean was doing with the keyboard at one point.

It'll take a while to find the comfort zone with this band. Perhaps after I've had time to digest the record. Some members of tonights audience didn't seem to want to wait that long as there was a steady stream of couples leaving the pit at about the half-hour mark muttering; "I liked the old Jack better." I figure if somebody doesn't walk out of your show you aren't challenging the audience enough.

On first look it appears Jack is the star.

Little Jack, that is.

He's relentless as the rain, playing the bass like it was a lead instrument.

The OTHER Jack's drumming is concussive and less than intricate though by shows end he was playing some mighty fine runs.

Dean's guitar work was excellent but the keyboard seemed like an annoyance most times he went to it.

As for Alison, well, she's got something going on. At times it's hypnotic and totally in synch with the show. At other times it seems like petulant posing. While her attempted sexual liason with the mic stand on the opening number was tantalizing in a 'suicide girls' kinda way, her chain-smoking blues persona seemed less a sign of independence from the cultural norms and more a case of self-centered entitlement.

Here's the set list and some mp3 samples.

Dead Weather
The Legendary Horseshoe Tavern
Toronto ON
2009-06-13

Track 01 60 ft Tall
Track 02 Treat Me Like Your Mother
Track03 Bone House
Track04 You Just Can't Win (Van Morrison cover)
Track 05 So Far From Your Weapon
Track 06 Child of a Few Hours
Track 07 Rocking Horse
Track 08 I Cut Like A Buffalo
Track 09 No Hassle Night
Track 10 Will There Be Enough Water?

Track 11 encore--audience

Track 12 Forever My Queen (The Pentagram cover)
Track 13 Hang You From The Heavens
Track 14 New Pony

Here's a link to another blog with a review of Horehound.
Horehound Review from The Forty-Nine Percenter

Nine Inch Nails & Jane's AddictionMolson AmphitheatreToronto ON2009-06-02

noreply@blogger.com (Krewe Chief) — Thu, 04 Jun 2009 10:43:00 +0000

I wasn't going to see NIN in 2009, having caught them 4 or 5 times over the past few years. Then Trent starts thinking outside the box and books Jane's Addiction to headline his show as he prepares for a hiatus. Toss in Tommy Morello's new project, Street Sweeper Social Club, and that makes the NINJA Tour all the rage.

The Amphitheatre is a struggle even when the weather's warm. Exposed to the wind that whips in off the lake it's often colder than you'd like. Nestled inside Ontario Place there's nowhere to go and limited locales for pre-show meets. Parking's exhorbitant and traffic's a bitch. Seats wide in the bowl have terrible sight/sound lines. Security at the doors is as stringent as any venue in the city...it's a close personal check you go through. If the sun is out it sets in your eyes and guarantees you'll have a sunburn on the left side of your face, neck and arms. Other than that, it's a joy.

SSSC takes no prisoners during it's energetic 30 minute warm up set. Tommy Morello was the best guitar player onstage tonight and this new incarnation is much more palatable than Rage...who are a little intense for my tastes. MIA's Paper Planes gets a runthrough.

What can you say about Trent? He deserves a rest...hopefully not another 5 years though. This show is not as complex as the 'light' show he toured last year (shame we're not getting a DVD of that tour) and there's no new record so there's some opportunity to mix up the songs a little, and that's what we get. "New" songs in the rotation are Heresy, Metal, I'm Afraid of Americans, The Becoming, I Do Not Want This, The Way Out Is Through and Mr Self Destruct. Not one to miss a trick Trent has trotted out his Lolla '91 intro to start the set.

Perry Farrel's place in the rock pantheon is secure...if difficult to define. Gotta love his attitude. He was through town with Satellite Party last year and treated us to a couple of Porno's tunes. This go round it's all nostalgia, all Jane's all the time.

Street Sweeper Social Club

01 Intro
02 Fight! Smash! Win!
03 Somewhere In The World It's Midnight
04 Paper Planes#
05 The Oath
06 100 Little Curses
07 Promenade
08 Tom Morello talks
09 Nobody Moves (Til We Say Go)

NIN

Disc 1

01 Now I'm Nothing (Lollapalooza '91 Intro)
02 Terrible Lie (Pretty Hate Machine)
03 1,000,000 (The Slip)
04 Heresy (The Downward Spiral)
05 March of the Pigs (The Downward Spiral)
06 Metal (Gary Numan cover)
07 The Becoming (The Downward Spiral)
08 I'm Afraid Of Americans (David Bowie cover)
09 Burn (Natural Born Killers Soundtrack)
10 Gave Up (Broken)
11 I Do Not Want This (The Downward Spiral)

Disc 2

01 The Fragile (The Fragile)
02 The Way Out Is Through (The Fragile)
03 Wish (Broken)
04 Survivalism (Year Zero)
05 Mr. Self Destruct (The Downward Spiral)
06 The Hand That Feeds (With Teeth)
07 Head Like A Hole (Pretty Hate Machine)
Encore:
08 Hurt

Jane's Addiction

Disc 1

01 Intro
02 Three Days (Ritual De Lo Habitual)
03 Whores (Jane's Addiction)
04 Ain't No Right (Ritual De Lo Habitual)
05 Pigs in Zen (Jane's Addiction)
06 Then She Did (Ritual De Lo Habitual)
07 Up the Beach (Nothing's Shocking)
08 Mountain Song (Nothing's Shocking)
Disc 2

01 Been Caught Stealing (Ritual De Lo Habitual)
02 Had a Dad (Nothing's Shocking)
03 Ted, Just Admit It (Nothing's Shocking)
04 Ocean Size (Nothing's Shocking)
------------
05 Summertime Rolls (Nothing's Shocking)
06 Stop! (Ritual De Lo Habitual)
07 Jane Says (Jane's Addiction)

Leonard Cohen Copps Coliseum Hamilton ON2009-05-19

noreply@blogger.com (Krewe Chief) — Wed, 20 May 2009 11:47:00 +0000

This whole Leonard Cohen revival is really getting a little old...or is it?

After a 15 year hiatus from the road 2008 found Leonard back out there with a wonderful career retrospective and a crack band. This leg of the North American Tour 2009 finds him passing the 1 year mark with a summer tour in Europe still to come. While the set list remains rather static he has added 5 new songs to the rotation and we're still waiting on Joan of Arc.

The whole 'religulous' experience around the event is somewhat subdued in the arena settings we find ourselves in this year. Still, the reverence heaped upon Leonard is palpable; the crowd is music-hall respectful and attentive.

Having had the pleasure of three concerts last spring, all in proper, cozy auditoriums, I was reluctant to pay the big bucks to see the show this time around. Actually chose not to when I saw the top ticket price for Hamilton was $589. That was through Ticketbastard, not a broker. F*ck that shit. I might spend that to fly to NY to see an act but not to sit on the expressway out of Toronto, ending up in Hamilton.

Finally broke down and decided to look for the cheapest seat in the building...got two tickets for $50 ea., high in the back corner of the lower bowl. Glad I did. Our seats were about 30 feet from the entrance...which made for a quick exit at shows end, beating the traffic out of the city.

The sound was great. The site lines were decent, aided by two giant screens. Got 5 songs I didn't hear in the previous three shows. Leonard was more playful, less talkative. The Webb sisters do a somersault to Cohen's "white girls dancing" refrain in The Future. Sharon Robinson solo's on Boogie Street. Only two band introductions, at the end of each set. Monster-never-ending-encore. Leonard's voice is not as strong as it was a year ago, noticeable only on the songs that require the voice of God, like Hallelujah. It's still marvelous and he's using some nice phrasing tricks to make up for what little has dropped off.

For two years running: The Best Show on the Road.

Here's the set list and some listenable, if less than stellar, mp3's.

Dance Me to the End of Love
The Future
Ain't No Cure
Bird on the Wire
Everybody Knows
In My Secret Life
Who By Fire
Chelsea Hotel
Waiting for the Miracle
Anthem
-intermission-
Tower of Song
Suzanne
Sisters of Mercy
The Partisan
Boogie Street - Sharon Robinson
Hallelujah
I'm Your Man
1,000 kisses recitation
Take this Waltz
-small bow=
So Long Marianne
Manhattan/Berlin
-small bow-
Famous Blue Raincoat
If it Be Your Will - Webb sisters
Closing Time
-small bow-
I Tried to Leave You
Whither Thou Goest (with crew)

The Tragically HipMassey Hall2009-05-12

noreply@blogger.com (Krewe Chief) — Fri, 15 May 2009 14:30:00 +0000

A fixture on the Canadian rock scene for years running, The Tragically Hip now have a monstrous catalogue to their credit and a 6 night stand provides ample opportunity to explore it. Each night has a handful of hits and rarities. With New Orleans Is Sinking, Nautical Disaster and Little Bones I got the ones I wanted.

The show was LOUD.

Like Foo Fighters loud.

Gords onstage antics are somewhat subdued, if no less spasmodic. Still his movements are a performance piece, akin to interpretive dance, within the show.

Here are some samples and the set list:

01: The Last Recluse
02: Family Band
03: Gift Shop
04: Now The Struggle Has A Name
05: Puttin’ Down
06: New Orleans Is Sinking
07: Throwing Off Glass
08: Bobcaygeon
09: Honey, Please
10: The Lonely End Of The Rink
11: The Depression Suite

Intermission
12: Are We Family? (Acoustic)
13: Thompson Girl (Acoustic)
14: Wheat Kings (Acoustic)
15: Nautical Disaster
16: Gus: The Polar Bear from Central Park
17: Coffee Girl
18: Love Is A First
19: Springtime In Vienna
20: Morning Moon
21: Grace, Too
22: Frozen In My Tracks
23:Music At Work

Encore
24: The Dark Canuck

Arlo GuthrieThe Grand TheatreKingston ON2009-05-10Or: you can get anything you want BUT alice's restaurant

noreply@blogger.com (Krewe Chief) — Wed, 13 May 2009 02:21:00 +0000

I don't need many reasons to get out to a show but when you have a certain convergence of events it can make it a sweet experience. Arlo Guthrie, a pop-culture icon (if by attrition), a lovely resort on the banks of the St. Lawrence (Dewars Inn On The River ), and a 30th anniversary to celebrate. Nothing can rain on this parade.

Well, except rain, of course.

No matter, the Inn is idyllic. We had the pleasure of some company one day and some time to meander about the country roads on another day. Sunday night finds us at the elegant, recently refurbished Grand Theatre, Kingston, to bask in a little hippy-nostalgia.

We got way more than that...a history lesson or two, a walk through the American songbook and an excellent show. Arlo has brought a full band with him; led by the understated brilliance of Bobby Sweet's guitar, aided by the dulcimer sounds of the Burns Sisters of Ithaca NY on backing vocals, supported by Arlo's son Abe on the Yamaha synth and carried on the rhythms of ?? Landreau on bass and Terry Oliveri on drums.

The show was a sonic trip in time, sometimes evoking early-Dylan, or Donovan. His forays into blues-roots songs was great. Best live version of St James Infirmary I've heard to date, and that includes one or two screamo-versions from Jack White. The stage patter covered everything from the unfortunate historical accident of being a songwriter when Dylan was plying his trade to memories of standing at the knees of Leadbelly. The Woody talk was precious 'cause our links to these times are fast fading.

Nostalgia is for the rocking chair, though. This show is here today even if it looks back once in awhile. A good helping of original tracks and a healthy dose of covers...just the recipe required.

He tours almost constantly. Don't miss it if it comes by your door.

Set 1

Track 01 Chilling of the Evening
Track 02 Shade of the Old Apple Tree
Track 03 talk - downstream from Dylan
Track 04 Darkest Hour
Track 05 Band Intro/talk - I Tune By Sight
Track 06 St James Infirmary

Track 07 talk - Old Songs
Track 08 Cornbread, Peas and Black Molasses
Track 09 talk - In A Pickle
Track 10 The Motorcycle Song
Track 11 talk - Dangerous Friends
Track 12 Dangerous Friends Instrumental
Track 13 talk - Woodstock
Track 14 Coming Into Los Angeles

Track 15 talk - Woody
Track 16 Pretty Boy Floyd

Track 17 talk - Leadbelly's Grave
Track 18 Alabama Bound
Track 19 talk - Pete Seeger
Track 20 Deep Blue Sea

Set 2

Track 01 talk - Hoyt Axton
Track 02 Evangelina
Track 03 My Old Friend
Track 04 talk - Okemah OK Festival
Track 05 When A Soldier Makes It Home

Track 06 talk - Disaster TV
Track 07 In Times Like These
Track 08 Days Are Short
Track 09 City of New Orleans

Track 10 talk - Steve Goodman and others who have passed
Track 11 ??Compassion, Forgiveness and Love
Track 12 This Land Is Your Land (Canadian Dub)
Track 13 talk - Show's Over...more Woody
Track 14 My Peace

The Kills Phoenix Concert Theatre2009-05-07

noreply@blogger.com (Krewe Chief) — Fri, 08 May 2009 14:41:00 +0000

The Kills first came on my radar when news of Jack White's new project, The Dead Weather, broke last month. It's ironic because the tag of 'the NEXT White Stripes' is what kept me away. We already HAD the White Stripes, or did. Since The Dead Weather will not likely grace our shores until the summer I thought it would be worthwhile to see the lead singer in her current incarnation.

We have two other emerging bands filling out the bill tonight; The Magic Wands (careful when you google that) and The Horrors (that's 2 syllables), so it promises to be a night of minimalist garage-rock. Of course we all know what promises are made for. Two unremarkable sets, the second slightly better than the first. The sound was muddy but I suspect that was on purpose and therein lies the problem...I got no idea what to make of that.

The Kills were a step up. So was their sound mix. A couple enjoyable covers; Crazy (no, not that one, the OLD one) and I Put A Spell On You. The drum machine is a little disconcerting. Live music should be, well, live. The guitar work was very good and Alison's schtick is going to fit in well with Jack's new project.

Track 01. U.R.A. Fever
Track 02. Pull A U
Track 03. Sour Cherry
Track 04. Tape Song
Track 05. No Wow
Track 06. Alphabet Pony
Track 07. Last Day Of Magic
Track 08. Kissy Kissy
Track 09. Black Balloon
Track 10. Hook and Line
Track 11. Crazy (Patsy Cline)
Track 12. Getting Down
Track 13. Cheap and Cheerful
Track 14. Fried My Little Brains
Track 15. audience/encore break
Track 16. ??
Track 17. Wait
Track 18. I Put a Spell On You (Screamin' Jay Hawkins-cover)